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Dummy's Guide for Sensual Pleasure
Dummy's Guide for Sensual Pleasure
Actually, not really that. This title is intended to get your attention.
Arousal, sexuality begins long before the bedroom. It is a mental and emotional attitude, in the realm of the senses and in the imagination. Mystery is as important in love and sex as is perfecting physical technique
You must first create a sensual experience through subtle suggestive conversation, smell, and brief touches during the course of the day..
Tantra teaches that the central concept that should be noted is: the individual must live his life with balance – a balance between Dharma (quest for spiritual and religious merit), Artha (quest for fortune and social standing), and Kama (quest for love and sensual pleasure).
When you consider that most people work eight hours, or more, sleep six to eight hours, a few hours in their car driving, several hours dedicated to friends and family, several hours to responsibilities to the house, garden, etc, several hours to leisure interests, such as golf, sports, whatever, it does not take a mathematician to figure out that time given for love and sensual pleasures does NOT balance.
Time for love and the sensual pleasures today is more like a fast food fuck.
Placing great emphasis on this principle, some modern scholars of the Kama Sutra point out that taking the time to notice such subtle, wholesome pleasures as sensuous fabrics against our naked skin, looking at beautiful flowers in our gardens or in cut arrangements, feeding morsels of finely made foods to a loved one, anointing each others bodies with richly scented oils or perfumes—all these sensual acts have the potential to increase our sense of well-being by satisfying and validating our bodies’ ability to delight in these gentle stimulations.
NOTE: Many people spend time and money searching for these so called sensual oils for massages, whatever. One of the oldest known and best oil, lubricant, which you can buy in any grocery store is Extra Virgin Olive Oil, and then scented with a few drops of Vanilla, or Almond or Mint extracts. It's been used for thousands of years, and works wonders. We know it's healthy, it's all eatable, great for dry skin, great for tanning, does not need to be kept out of the reach of children, non toxic, we know for certain, AND, by being in the kitchen for cooking also, is a constant sublime reminder.
Get away from the Fast Food Fuck . . . . .
That means, it's better to wait a few hours, or for the next day, or better yet when the opportunity for unregulated time arises, when you can take that quality time as it's called today. Quality time for the sensual pleasure is NOT putting a time frame on it. Quality time is from when the moment and desire arise until . . . . .
After sending the friends home, or putting the kids to bed, let the lovemaking begin. First with gentle conversation, then anointing each other with oils, feeding each other treats, drinking from each other’s glass, then with embraces, kisses…
It need not be a hurried race to a speedy orgasmic finish. Rather, each lover should simply seek to enjoy the moment, and to connect with their beloved.
As for “Great Typhoon” itself, the Kama Sutra teaches that delaying one’s orgasm, through sensual foreplay and much dallying about with various positions, will result in a more spectacular finish – for male and female.
Armed with the information that, in Hindu philosophy, lovemaking is not only pleasurable and necessary for procreation, but also a vehicle for spiritual bliss and awakening, we can more fully appreciate their reasons for wanting to formulate their acquired knowledge and experience into an actual "science" of love and eroticism – to help couples find harmony and bliss, rather than strife and selfishness, within the sexual act.
Kamasutra Positions
Lying Down Positions:
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Indrani draws up both her knees
until they nuzzle the curves of her breasts;
her feet find her lover's armpits.
Small girls love this posture,
but becoming a goddess takes a lot of practice.
She cups and lifts her buttocks with her palms,
spreads wide her thighs,
and digs in her heels besides her hips,
while you caress her breasts:
this is "Utphallaka" (The Flower in Bloom).
Grasping the ankles
of the round hipped woman, whose buttocks
are like two ripe gourds,
raise her beautiful thighs
and spread the thigh-joints widely.
Full of desire, saying sweet words,
approach her with your body stiff as a pole
and drive straight forward
to pierce her lotus and join your limbs:
experts call it "Madandhvaja" (The Flag of Cupid).
Catch hold of her two feet,
raising them till they press upon her breasts
and her legs form a rough circle.
Clasp her neck and make love to her:
this is "Ratisundara" (Aphrodite's Delight).
Lift the lady's feet until her soles
lie perfectly parallel,
one to each side of her slender throat,
cup her breasts and enjoy her:
this technique is "Uthkanta" (Throat-high).
Your lovely wife, lying on the bed,
grasps her own feet
and draws them up until they reach her hair;
you catch her breasts and make love:
this is "Vyomapada" (Sky-foot).
The round-thighed woman on the bed
grasps her ankles and raises high her lotus feet;
you strike her to the root, kissing
and slapping open-palmed between her breasts:
this is "Markata" (The Monkey).
She lies flat on her back,
you sit between her parted knees, raise them,
hook her feet over your thighs,
catch hold of her breasts, and enjoy her:
this is "Manmathpriya" (Dear to Cupid).
Lying-down Positions - Samputa Group:
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If your penis is too small for a woman,
the "Samputa" group of postures should be used:
"Samputa" (the Jewel Case),
"Pidita" (the Squeeze), "Veshtita (the Entwined)
and "Vadavaka" (the Mare's Trick).
In Samputa your legs lie along hers
caressing their whole length from toes to thighs.
Your lover may be below you,
or you may both lie on your sides,
in which case she should always be on your left.
In Pidita the lovers' thighs
are interlaced and squeeze each other in rhythm.
In Veshtita she crosses her thighs
or rolls each one inward,
thus greatly strengthening her yoni's grip.
When, like a mare cruelly gripping
a stallion, your lover
traps and milks your penis with her vagina,
it is "Vadavaka" (the Mare's Trick),
which can only be perfected with long practice.
When she uses it, a woman
should cease to kiss her lover
and simply hold the lock.
Courtesans are adept at Vadavaka,
and it's a speciality with ladies from Andhra(*).
The South-Eastern state of India.
When lovers, with legs stretched rigid
and feet caressing feet,
make love according to their hearts' desire,
"tantra" scholars call it "Sampada" (Equal Feet)
and agree it is a way to ecstasy.
Stiff as a pole in the bed's center,
she lies making love,
cooing and warbling like a woodpigeon,
the jewel of her clitoris well-polished:
this is Mausala" (the Pestle).
When she lies on her back
with her two thighs pressed tightly together
and you make love to her,
keeping your thighs outside hers,
it is "Gramya" (the Rustic).
If, encircling and trapping
her thighs with yours,
you grip so hard that she cries out in pain,
it is "Ratipasha" (Love's Noose),
a device most charming to the ladies.
Her limbs, entwined in yours
like tendrils of fragrant jasmine creeper,
draw taut and slowly relax
in the gentle rhythm of linga and yoni:
this is "Lataveshta" (the Clinging Creeper).
She draws her limbs together,
clasping her knees tightly to her breasts,
her yoni, like an opening bud,
offered up for pleasure:
this is known as "Mukula" (the Bud).
When she draws up her knees
and you clamp yours about her raised thighs,
trapping them in a tight knot
while riding saddle upon her buttocks
and kissing her, it is "Shankha" (the Couch).
Oral Pleasures -- Fellatio Techniques:
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When your lover catches your penis
in her hand and, shaping
her lips to an 'O', lays them lightly to its tip,
moving her head in tiny circles,
this first step is called "Nimitta" (Touching).
Next, grasping its head in her hand,
she clamps her lips tightly about the shaft,
first on one side then the other,
taking great care that her teeth don't hurt you:
this is "Parshvatoddashta" (Biting at the Sides).
Now she takes the head of your penis
gently between her lips,
by turns pressing, kissing it tenderly
and pulling at its soft skin:
this is "Bahiha-samdansha" (the Outer Pincers).
If next she allows the head to slide
completely into her mouth
and presses the shaft firmly between her lips,
holding a moment before pulling away,
it is "Antaha-samdansha" (the Inner Pincers).
When, taking your penis in her hand
and making her lips very round,
she presses fierce kisses along its whole length,
sucking as she would at your lower lip,
it is called "Chumbitaka" (Kissing).
If, while kissing, she lets her tongue
flick all over your penis
and then, pointing it, strikes repeatedly
at the sensitive glans-tip,
it becomes "Parimrshtaka" (Striking at the Tip).
And now, fired by passion, she takes
your penis deep into her mouth,
pulling upon it and sucking as vigorously
as though she were stripping clean a mango-stone:
this is "Amrachushita" (Sucking a Mango).
When she senses that your orgasm
is imminent she swallows up the whole penis,
sucking and working upon it
with lips and tongue until you spend:
this is "Sangara" (Swallowed Whole).
Oral Pleasures -- Cunnilingus Techniques:
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With delicate fingertips,
pinch the arched lips of her house of love
very very slowly together,
and kiss them as though you kissed her lower lip:
this is "Adhara-sphuritam" (the Quivering Kiss).
Now spread, indeed cleave asunder,
that archway with your nose and let your tongue
gently probe her "yoni" (vagina),
with your nose, lips and chin slowly circling:
it becomes "Jihva-bhramanaka" (the Circling Tongue).
Let your tongue rest for a moment
in the archway to the flower-bowed Lord's temple
before entering to worship vigorously,
causing her seed to flow:
this is "Jihva-mardita" (the Tongue Massage).
Next, fasten your lips to hers
and take deep kisses
from this lovely one, your beloved,
nibbling at her and sucking hard at her clitoris:
this is called "Chushita" (Sucked).
Cup, lift her young buttocks,
let your tongue-tip probe her navel, slither down
to rotate skilfully in the archway
of the love-god's dwelling and lap her love-water:
this is "Uchchushita" (Sucked Up).
Stirring the root of her thighs,
which her own hands
are gripping and holding widely apart,
your fluted tongue drinks at her sacred spring:
this is "Kshobhaka" (Stirring).
Place your darling on a couch,
set her feet to your shoulders, clasp her waist,
suck hard and let your tongue stir
her overflowing love-temple:
this is called "Bahuchushita" (Sucked Hard).
If the pair of you lie side by side,
facing opposite ways,
and kiss each other's secret parts
using the fifteen techniques described above,
it is known as "Kakila" (the Crow).
Role Reversal:
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During lovemaking, ten types of blows
may be struck with the penis,
but of these only "Upasripta" (Natural),
which is instinctive even to untutored cowherds,
results in full clitoral stimulation.
It is a gentle forward stroke
which may be varied for depth and speed,
allowing a subtlety, rhythm
and spontaneity which
the other nine each lack to some degree.
If you grasp your penis and move it
in circles inside her yoni,
it is "Madhavana" (Churning).
When you strike sharply down into the yoni,
it is "Hula" (the Double-edged Knife).
If, when her hips are raised by a pillow,
you strike a rising blow,
it is "Avamardana" (Rubbing).
If you hold your penis pressed breathlessly
to her womb it is "Piditaka" (Pressing).
If you withdraw completely
and then strike her violently to the womb,
it is "Nirghata" (the Buffet).
Continuous pressure on one side of her yoni
is "Varahaghata" (the Boar's Blow).
If you thrust wildly in every direction,
like a bull tossing its horns,
it is "Vrishaghata" (the Bull's Blow).
Quivering in her yoni is "Chatakavilasa" (Sparrow Sport),
which usually heralds orgasm.
The involuntary shuddering of orgasm
is called "Samputa" (the Jewel Case).
But no two women make love quite the same way,
so orchestrate your rhythms
to the moods and colors of each lover's "raga" (emotions).
If long lovemaking exhausts you
before your lover has reached her orgasm,
you should allow her
to roll you over your back
and sit astride you, taking initiative.
If the posture gives her deep pleasure,
or you enjoy its novelty,
she may transpose into it as a matter of course,
taking great care, however,
not to expel the linga from the temple of love.
Consider: she climbs upon you,
the flowers dropping from her tousled hair,
her giggles turning to gasps;
every time she bends to kiss your lips
her nipples pierce your chest.
As her hips begin to churn,
her head, flung back, bobs ever faster;
she scratches, pummels you with small fists,
fastens her teeth in your neck,
doing unto you what you've often done unto her.
When she takes the man's role,
your lady has the choice
of three famous lovemaking techniques:
"Samdamsha (the Tongs),
"Bhramara" (the Bee) and "Prenkholita" (the Swing).
If she uses the Mare's Trick,
gripping your penis with her yoni's vice,
squeezing and stroking it,
holding it inside her for a hundred heart-beats,
it is known as "Samdamsha" (the Tongs).
If, drawing up her feet,
she revolves her hips so that your penis
circles deep within her yoni,
you arching your body to help her,
it is "Bhramara" (the Bee).
If she now swings her hips
in wide circles and makes figures-of-eight,
swaying upon your body
as though she were riding on a seesaw,
it is "Prenkholita" (the Swing).
When her passion has ebbed,
she should rest, bending forward to lay
her forehead upon yours
without disturbing your yoked bodies:
it won't be long before desire stirs again.
Catching your penis, the lady
with dark eyes like upturned lotus petals
guides it into her yoni,
clings to you and shakes her buttocks:
this is "Charunarikshita" (Lovely Lady in Control).
Enthroned on your penis,
she places both hands on the bed
and makes love, while you
press your two hands to her thudding heart:
this is "Lilasana" (Seat of Sport).
She sits upright upon you,
her head thrown back like a rearing mare,
bringing her feet together
on the bed to one side of your body:
this is "Hansabandha" (the Swan).
The young woman has one foot
on your heart and the other on the bed.
Bold, saucy women adore this posture,
which is known to the world
as "Upavitika" (the Sacred thread).
If, with one of her feet
clasped in your hand
and the second placed upon your shoulder,
your young lady enjoys you,
it is "Viparitaka" (Reversed).
If your lover, seated above you
with feet lotus-crossed
and her body held erect and still
makes love to you,
it is known as "Yugmapada" (the Foot Yoke).
If she strides you,
facing your feet,
brings both her feet up to your thighs,
and works her hips frantically,
it is known as "Hansa-lila" (Swan Sport).
Your lover places one foot
on your ankle, lodges
her other foot just above your knee,
and rides you, swinging and rotating her hips:
this is "Garuda" (Garuda).
If you lie flat on your back
with legs stretched out
and your lover sits astride you, facing away
and grasping your feet,
it is called "Virsha" (the Bull).
Clasping each other's hands,
you lie sprawled like two starfish making love,
her breasts stabbing your chest,
her thighs stretched out along yours:
this is "Devabandha" (the Coitus of the Gods).
Lying upon you, your beloved
moves round like a wheel,
pressing hands one after the other on the bed,
kissing your body as she circles:
experts call this "Chakrabandha" (the Wheel).
If, by means of some contraption,
your lover suspends herself above you,
places your linga in her yoni
and pulleys herself up and down upon it,
it is "Utkalita" (the Orissan).
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