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LeKnight at Bluewater | home
Explore Her
Explore Her
Well, while repairing the site a few more thoughts came to mind, by some of the questions and answers I had from e-mail. As those of you who have been with me for some time know, art with me is a passion, and something we are, and NOT something we choose to be. I know, you're wondering what that has to do with romance, sensuality, sexuality, the acts of passionate sex. I'll get to that in a minute. In art we are taught rules, as with balance, color, compositions, perspective, depth, motion, light, anatomy, and so much more. I was taught all that. BUT the schools I went to and the teachers I had also taught me one other very important thing. Learn the rules, but then with mood, with freedom, break the rules and go with what you feel. Well in romance and sensual, passionate sex we must consider the same. How could you possible even think that you could follow the rules and maintain a structured sequence of events when there is emotion, both physical and arousal taking control. How can you possibly follow rules and structure once emotion is involved. Just as painting, once emotion takes hold, then ALL the rules are discarded. Each time we have different acceleration rates of arousal. How could you think perhaps fifteen minutes fondling one breast, and fifteen minutes the other, and fifteen minutes kissing her Mons Veneris, and so on. Or from kissing her tummy, caressing her thighs, the next step should be this or that. How can I possibly consider “cleaning” one brush before going on to the next. ALL the emotional, sensual, passionate contact is lost. I have come out of the feeling to CLEAN a brush, or look at the preciseness of the work? Each time we do that, we have lost the passionate, sensual, emotional involvement. I, at times use art as a form of analogy, because it is that what I understand best. The greatest artist has nothing on canvas if he does not first feel emotion for the subject. Emotion meaning being able to touch in the mind. This applies to romance also. It is NOT merely a physical act, or at least shouldn't be. How could the artist paint a blade of grass or a field of grass if he cannot feel, smell, taste, see all that effects it and interplays with it. He paints only a cold, lifeless, extremely detailed work without touching. Sensual romance is exactly that. How can you touch her soul, her deepest arousal, if you can not in your mind feel the temperature rise in her body, the moisture of arousal glow “sweat” on her skin, the scent of the subtle musky arousal “perfumes” she releases as she gets aroused. And as the artist with feeling skill, we must be attuned to her, as the artist is attuned to the viewer of his work. That means we must be aware of controlling, manipulating, constantly. In ALL your GREAT works, the artist manipulates you. YES, manipulates, and controls your eye, forever. Have you ever wondered why certain works of art force you to keep staring, looking studying? Very simple, the artist does not LET your eye out of the work, and finds those areas where your eye might drift out of the work and then does something, either subtle or perhaps not, to get your eye back into that what he wants you to see. He has planned from start to finish how your eye will drift around the work, what he wants you to see, and in what sequences, and then back again as he chooses. NOW, you wonder what has that got to do with sensual, sexual romance. You are manipulating your Sweetheart to keep her focused on the “road” to higher arousal. Here is where YOU become the great “artist”. Forget about all other “worldly”, material, goal oriented thoughts. You paint her body, mind and soul with your touch, your mind, you thoughts. Feel the different temperatures all over her body, feel the soft, fleshes, feel it when she breathes differently, get closer to her flesh and smell the soft subtle arousal scents, feel her body heat to your nose. Taste her body to your lips, your tongue. YES, I DO take arousing my Sweetheart with all the love and enthusiasm as if I were manipulating her to arousal. How many of you guys can really say they have felt her clit rise to the touch of your lips and tongue, or her mons veneris softly swell to arousal, and the sweet ginger scents which she releases with higher arousal. Only then can you learn how to truly arouse her. All your senses must be attuned to her constant arousal changes. And, they are NEVER the same from one time to the next. That is the beauty of sensual, romantic, deep within the soul, loving sex and romance. How could an artist paint ice, if he cannot feel the cold, hard, wet, slippery, cold smell? How can you romance her if you can not taste her, smell her, feel her heat, her soft flesh, hear her breathing patterns change, her subtle moans.? She is a world of wonders to explore. What is even nicer, she loves to be explored. YES, woman loves it when we explore every square inch of her body and soul. The more we explore, the more aroused they become, and even more so, the more familiar we become with their changes. Our hands, nose, eyes, ears, lips all record these changes. Rodin was the master of that, and it can be seen in his sculptures. He had spent many, many hours, days, weeks, years exploring woman's body with ALL his senses, learning, recording in the mind all that arouses her, and brings her to arousal. In one of his more well known pieces, “The Kiss”, we can see that he knows what arouses woman.
So many of you guys seem to think that sensual romance is some form or structured, mechanical, follow the rules sequence and everything else follows, and must be well organized. If you're exploring, then explore, and know that she loves it.
Here's a little project, so to speak for you guys to learn to enjoy as much as she enjoys it. Fondling her pussy. Well you say you have done that. Have you really?? What, five minutes, maybe ten minutes. I could paint my wife's thighs, tummy, pussy, whether relaxed, aroused, wet, spread, fondled, even if I were blindfolded. I can paint her arousal, because I have explored, and re-explored, and in my mind recorded every change, every feel, every scent, every sound she makes, and breathes as I fondle. What all of this is getting to is that ALL of your senses be attuned to her, for her, AND for yourself, because as you discover, she goes higher, and you will also naturally follow, as I have mentioned many times before. Far too many of you guys, if asked specific questions about her body, her arousal stages, scents, breathing, needs could NOT answer the questions, much less describe in detail. WHY? Because you haven't done your homework. You haven't truly studied her. I keep referring to Augusta Rodin. How could a man sculpt in marble and put the feel, the scent, the sound or sensual arousal into the finished work if he has not explored her, over and over again. It is not a matter of simply looking at a naked woman and saying, I'm going to sculpt her. The same applies to sensual, passionate romance and sex. By the e-mail I've gotten lately, all of this seems to be a whole new world you guys. Some form of alchemy, or tabu magic, when actually it amounts to is becoming aware of all the senses, both yours and hers, and then manipulating them to please each other, and not let her drift out of your “control”, just as the great artists have done with their works which manipulate us.
On this I would like to hear more of your comments, questions, or whatever, because it seems to be a barrier which many of you guys seem to have a problem crossing for so many reasons. One of the biggest reason I believe is fear, or inhibitions, or perhaps simply lazy and hoping for an easy answer. In order to be good, or great at anything creative, which romance and sex is, we have to forget fear, inhibitions and definitely not be lazy.
Yes, I did get on a bit of a “roll”, here, but it's a subject that keeps coming up from questions, and one from and romantic artist's point of view, we can never learn enough about. How could Rubens ever have painted such sensuality if he had not continually explored. He did NOT learn that from books, he learned that from complete, uninhibited intimacy. And if you really think deeper, how could he convey that feeling of sexual sensuality of the women he painted didn't appreciate his exploring, and also his portraying that to canvas. Meaning they were flattered, honored, and aroused by the act of being explored, asked to be painted, and being made immortal. In some of his more sensual paintings, you can see the droplets of arousal between their thighs. How could he ever know to paint that unless he had been there. Does all this make sense to you guys? Let's all continue, and or start truly exploring her, with love and learning. It's fun, and believe me, there is nothing a woman who trusts you, love more than to be explored. And that is not something you need to ask permission first. They truly welcome the tender, caring, loving attention.
SO, lighten up, forget organized structure, and begin playing, exploring.
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